Dec. 5, 2023
A Touch of the Madness with Larry Kasanoff
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Larry Kasanoff, legendary Hollywood producer and author of 'A Touch of the Madness,' shares his experiences and insights on creativity and innovation. He discusses the inspiration behind his book and the importance of embracing the madness to unleash your creative potential. Larry encourages you to embrace your craziest ideas and not be afraid to pursue them.
Key Takeaways:
- Never let go of an idea that you believe in. Persistence and determination are key to success.
- Trust your creative instincts and don't be afraid to pursue your passions.
- Practice mindfulness and be still to tap into your inner wisdom and make better decisions.
- Embrace playfulness and have fun in the creative process. Don't be afraid to take risks and think outside the box.
Find out more about Larry:https://www.larrykasanoff.com/Book: A Touch of The Madness
Connect with Cass:www.crappytohappypod.comhello@crappytohappypod.com
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Transcript
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This is Crappita Happy and I am your host, Cass Doune.
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I'm a clinical and coaching psychologist and mindfulness meditation teacher
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and of course, author of the.
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Crappita Happy books.
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In this show, I bring you conversations with interesting, inspiring,
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intelligent people who are experts in their field and who
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have something of value to share that will help you
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feel less crappy and more happy. Larry Kasanov is chairman
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and CEO of Threshold Entertainment. As a Hollywood producer or
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studio head, he has made over two hundred feature films,
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including Dirty Dancing and the Academy Award winning Best Picture Platoon.
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Other films he's produced include Blue Steel, True Lies, Terminated
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to Judgment Day, and the Mortal Kombat franchise. In this conversation,
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Larry shares with me his experiences and insights on creativity
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and innovation. He discusses the inspiration behind his book, A
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Touch of the Madness, and the importance of embracing your
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madness to unleash your creative potential. Larry, Welcome to the
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Crappy the Happy Podcast. Such a pleasure to meet you.
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Thanks guys, great to be here.
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I really really enjoyed your book, A Touch of the Madness.
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I need to say.
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One thing I really enjoyed about it was all of
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the amazing stories throughout the book about your experiences working
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in Hollywood as a producer over the past decades. And
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I wanted to ask, was it really fun to write that?
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Was it like a trip down memory lane for you
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to bring up all of those stories and remember those experiences.
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Yeah, it was really fundurrated. Actually, I sort of know.
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During the pandemic we were very everyone was outsourced and
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I just had one assistant working with me. This b
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huge studio in it, and I realized I was telling
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her some of these stories as a way of kind
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of teacher or torture or however you want to put it,
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and it was sort of fun. That's kind of how
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I got the idea. Yeah, they're very fun. I love them,
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and I love that kind of stuff, and I think
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it's told last and so it was really fun. You know,
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I tend to not look back a lot, so it
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was a very unusual experience for me to do that.
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Oh well, you know, some of those stories felt like
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they were out of movies.
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Honestly, that the drama behind the making of the movie
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is often more intense and interesting than the actual dramatic
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story in the movie.
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Right right, That is interesting.
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The book is called A Touch of the Madness, and
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it is a book really about the pursuit of creativity
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and innovation, which is so important. I was curious to know,
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of all of the books you could write, Larry, what
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inspired you to write to this particular book at this time.
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I simply found the last few years than more than
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I've ever seen. I was running into people, not only
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in my business, but lots of them who were scared
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to be creative and who were scared to be their
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most creative selves. And I think maybe it was the
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pandemic gay people the opportunity to reflect. And I met
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so many people who said, you know what I really
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want to do is but no, it's too crazy, or
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my whatever husband, wife, mother, father, or sister, brother, boss
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won't like it. I better not, you know. We sort
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of matched the pandemic with a very politically correct movement
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with a unch of social media. Maybe people were worried
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about getting criticized. I don't know why, and I got
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so sick of I was talking to my friends about
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it and Finally my brothers said, we'll stop talking about
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to write a book, and I thought, hey, that's a
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good idea. And so that is I have one purpose
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in this and I give speeches as well, and my
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only purpose is to try and inspire people to be
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their most unfettered creative self. I mean, how many times
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in the last four years, if you were some friends
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sat around and said, well, what did you do last night?
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I tried to find something to watch on streaming and
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I couldn't find anything watch. It's part of the same thing,
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and so I want people to be I mean, you
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know some of the guests you have in your podcast,
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you know, the Queen of Clean, I mean you know,
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she just said, well, I just love it. I decided
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to go for it. That's great. The more many people.
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Don't do that, it is so true.
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Yeah, so that's it. I just want to inspire people
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to be their most uninhibited, unfettered creatives. Album. It's it's happy,
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it's fun, it helps, it work, it helps in personal life,
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and it tends to result in better things. Because the
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audience or your customers or whatever, they want new one different.
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They don't want to try it. The truth and there's
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a kind of a shift towards I better be very careful.
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If I do the dry and the tour, I won't
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get fired. But also you won't be great. And so
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if you want to be great, and you want to
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really go for it, you've got to have a touch
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of the madness. The current of the river of life
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will always pull you towards the middle of everybody, all
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the time, imperceptibly, when you're sleeping, when you're taking a
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walk in the woods. And the only way to fight
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against it, I think is by embracing the madness, by
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just saying and hell with it, I'm going to do it.
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And it's that idea in the back of your mind
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that you think it's too crazy, that's the one do it.
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And actually that brings me to can you define You've
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got a great story about how you came up with
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that term, a touch of the madness?
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Can you tell that story?
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Yeah? Sure. So I wanted to be a movie producers
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since I was a very since I was a little kid,
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and I got very lucky, and right out of grad school,
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I got a job as head of production and acquisitions
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co productions of a new independent film studio called restaurant.
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And this was the in the mid eighties when there
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was a home video boom, and home video boom then
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was much like the streaming broom. Now it's what I
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call a content gold rush. All of a sudden, some
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new industry pops up and it needs content. And today
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it was streaming in all those swim lanes. Then it
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was video stores with empty shows movies. So my first
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job out of school was to be the head of
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a of a studio that had me eighty movies a year,
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eight zero. Most big studios today make twelve movies a year.
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And so we made and in my instructions were buy them,
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may co produced them, do whatever now you want, just
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don't lose money. And so we made rom coms, and
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we made a low budget horror films and kind of
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action movies, be stars in it. And then we got
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a script called Platoon, and this was not that kind
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of a movie. Platoon was a wonderful scripber and by
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Oliver Stone, a movie to be directed by him about
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the Vietnam War and the effect it had on kids.
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The tagline of the movie was the first casualty of
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Wars innocence, So it was more about the psychological effect
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it had, and that was a new take on the
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Vietnam War. The psychological effect had the people. It wasn't fun,
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It wasn't the rom com. It wasn't a happy, little
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goofy horror movie. The people in it became stars, but
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they weren't stars. Oliver was not you know. We had
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done a previous movie with him, which was great, but
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it wasn't hit. He wasn't you know, he wasn't the
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famous director he became. And I wanted to make it
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and my boss said, no way, you're crazy, which was
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team but and he said, but you're head of production.
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I kept fighting. He said, you're head of production, and
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if you want to do it, it's your choice. If
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it fails, you're fired. What do you want to do?
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And I was, you know, a few months into the
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best job of my life, and I did some soul
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searching and said, well, I didn't get into the movie
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business to play it safe. So I greamed the Platoon
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first time I saw the first cut. I'm the only
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person I think on earth to giggle his way through
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Platoon now because it wasn't great, but because it was
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so great, I was like, oh, my god, I'm not
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going to get fired. And it was so good it
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won Best Picture at the Academy Awards. A few months later,
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I ran into the director at a bar in New
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York and he bought me a drink and he said,
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you know, kid, I always liked you. You have a
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touch of the madness. And I thought, a touch of
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the madness? Is? Is he calling me crazy? Am I
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a little crazy? And then I thought, well, my boss
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was crazy to let a kid out of school run
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an eating picture of films. Late Oliver had a touch
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to the madness by insisting in doing a Vietnam movie
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the way no one had ever done it. And I
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think I had a touch of the madness by betting
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the best job you could possibly imagine on one movie.
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And that's when it occurred to me that this is it.
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This is which an innovation demands, the touch of the
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madness that has become the touchstone now of my career
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or my life. It's how I make movies, it's how
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I buy art, it's how I cast films. It's I
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always look for that. Even when I cast movies, I
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look in actors eyes and I decide to myself, do
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they have a touch of the madness, because if they do,
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they're going to do unpredictable, wonderful things on screen. If
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they don't, the audience might gell little barrythm. And that's
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how I even cast. So that's what I do, and
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that's the book. It was an easy way to come
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up with the title because I think you just have
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to embrace the madness. We are often told, oh, you know,
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they're too crazy. No no, no, no no. I want you
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to embrace that crazy side.
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That's a very cool story.
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And I want to know, do you think that it's
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something because from a very young age, I mean, you risked,
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like you said, the greatest job of the world on
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that movie. Is it something that you think more people
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are just born with or is it something that you
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can cultivate?
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Oh? I totally think you can cultivate it. I mean
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I think I think it's like any skill, some people
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are more prone to it than others, and then something
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do it, you know, the thousands of hours of hard work.
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But I think you can cultivate it. And I think
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you can cultivate it by just starting and trying. You know.
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I think there are three steps to this. I call
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him cap create, ask play and in the ass category,
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which is the second one. I just I encourage people
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to ask anybody anything. Once you've got your great idea,
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you know what you want to do, you got to
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ask anybody anything, anywhere, all the time to do it.
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And so here's an example of that. We made during
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the pandemic and animated movie called Bubbleheads, and we wanted
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to get share in the movie, the iconic share and
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it went way. She won't do it, so we called
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up and box story short. She did it, and she
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was great, and we used her likeness as babble That
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share was fantastic. When the movie came out, people magazine
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Eat your Viewer and said, you've never done an animated movie.
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Why did you do this one? And she said, I've
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never done an animated movie before because no one ever
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asked me before I did. I didn't know she hadn't
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done one before. I didn't thought of it. But the
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point is, if if one of the most iconic women
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on the planet share had never done something before, and
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most people probably were too scared to call her, can
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you imagine who in your life, all your listeners' lives
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might be someone they want to call and ask something.
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But they're thinking, oh, no, they'll ever do it. Maybe
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no one ask them. So the best way I suggest
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to start to take your first tone in the water
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of embracing your madness is ask. So maybe you don't
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call share your first time out. You call your brother
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in law and ask him why he never, you know,
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brings wine to dinner. Who knows? But just you can
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call anybody. And if I were say to all your
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listeners right now, okay, if you could call anyone in
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the world right now who's alive, and ask them one question.
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Who would you call and what would you ask? And
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most people go, huh, that's a good one. I never
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thought of that. I never thought of it because we're
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not raised to think you can't. I happened to have
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had a wonderful professor at Cornell who's taught me as
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a freshman. No, they which call people. I've been doing
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it ever since, so it's not just as a movie.
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And I think that's agree way to start. Just start
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calling people. And now it's so easy. When I started
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the head with telephone, now you have your phone faxing,
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I mean, your phone's text DMS, blah blah blah, it's
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just so many ways you get in touch with you.
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It's so true.
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