Transcript
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A listener production.
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Hey, you're listening to Crappy to Happy. I'm your host,
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cast done. I'm a clinical and coaching psychologist, a mindfulness
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meditation teacher.
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And author of the Crappy to Happy books.
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In this series, we look at all of the things
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that might be making you feel crappy and give you
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the tools and.
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Techniques to help you to overcome them.
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In each episode, I chat with interesting, inspiring, intelligent people
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who are experts in their field, and my hope is
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that you take something away from these conversations that helps
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you feel a little bit less crappy and more happy. Today,
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I'm speaking to Michelle Andrews and Zara McDonald, two young
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women most well known for their incredibly successful podcast Shameless.
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Shameless is the show for smart people who love dumb stuff,
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and Mission and Zara not only bring very thoughtful, insightful
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conversations about all things pop culture, but they have interviewed
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some amazing guests, including the likes of Julia Gillard, Jamila
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Jamil and many more. They've also just released their first
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book together, called The Space Between, and I couldn't have
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been more thrilled to have the chance to speak to
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these two incredible young women about their success, the challenges
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it has brought them, and how they've overcome those challenges
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together so that they can keep on doing the important
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work that they are doing in the world without further ado.
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His mish and Zara, Zara.
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And Michelle, best known for the Shameless podcast, thank you
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so much for being with me this morning.
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I'm crapy to happy.
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Thank you for having us.
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We are so excited to be here.
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I'm so excited to talk to you. I'm a huge fan.
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I am probably not in your target demographic, but I
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just wanted to say that I really really enjoy the show.
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I love the interviews, I love the content, and you
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are obviously smashing it with the success of that show.
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So I suspect that we probably have some listeners who
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overlap and as are probably from their twenties all the
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way through to fifty sixties and beyond. And I suspect
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that you have a fairly broad age range of women
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mostly who listen to you as well.
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Yeah, for sure. I mean it's predominantly women in their twenties,
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but we have realized in twenty twenty that we're branching
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out to more men and to more people are guests
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who are parents or even grandparents like I love to comment.
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We received on one of our posts yesterday from a
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father of four adult women, and he DMed us on
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Instagram to be like, hey, guys, I've found the show
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and I think listening to you both has helped me
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understand my daughters better. So I love getting messages like
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that to think that we're reaching different people in different
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pockets of the world.
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Absolutely, And in fact, my daughter is fourteen and I
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actually play your show like when we're driving in the car,
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hoping that she might just be tuning in and listening
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to you know, she's on she's snap snap streaking whatever
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it is that they do on their foes, But I'm
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hoping that she's listening because the message that you share.
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So people who aren't listeners of Shameless, would you like
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to just give them a little bit of an insight
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into what the show is and how it got started.
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Yeah, for sure.
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I mean we've kind of been The tagline of the
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show is it's the show for smart people who like
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dumb stuff, because we wanted to have conversations about celebrity
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and pop culture and stuff that I think the world
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has traditionally told women are stupid and silly, but in
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a way that's not, you know that the way that
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doesn't take them literally all the time, and the way
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that actually in a way that kind of delves deeper
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into why we're interested in the things that we're interested in,
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because they were the conversations we were having back and
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forth with miss and I, particularly about things like The Bachelor.
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I mean, you're talking about the Bachelor, but you're not
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taking it at surface level and you're not taking it seriously,
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and there are really smart conversations to be had about
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this stuff. So we decided to jump in a studio
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and start sort of creating the show. Originally we pitched
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it to networks, no one really wanted to pick it up,
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so because that forced our hand, we just sort of
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launched it independently, having no idea what.
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We were doing.
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We had never, you know, really spoken into a microphone
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much at all.
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We didn't know how to edit, we didn't.
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Know anything about podcasting, but we taught ourselves everything, and
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it has been one of the biggest blessings of everything,
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being forced to actually teach yourself everything. Because we've been
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able to do this ourselves for the last two and
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a half years, and now if you had have asked
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me like I wouldn't want to be signed to anyone.
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I'm so glad that we get to do this thing
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ourselves because it means we also can kind of say
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what we want.
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Yeah, and I think as well, the surprising thing we
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began shameless to talk about things like The Bachelor, but
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I think Zara and I've realized over the last few
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months that the concept of rejecting shame has kind of
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infiltrated every nook and cranny of the podcast, So now
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it's about everything to do with life as a young woman,
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and I think that's really important to us to kind
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of debunk shame and push back on shame because I
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think it's something that a lot of women in general
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struggle with in all facets of their life.
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Absolutely so glad you brought that up.
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And I do want to get to your book obviously
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that's just come out, because you do talk about some
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really deeply personal things in the book and really free
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yourselves of all of that stigma and shame around so
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many personal things.
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I want to get to the book, but I want
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to stick with the podcast for.
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Now, so you both started working for Mamma Mia as
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young journalists. You pitched the idea and it was accepted right,
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They liked it. They liked the idea, and then at
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the last minute said, no, we've changed our minds.
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Is that how that went down?
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Yeah, So you're absolutely right when I said before that
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we pitched it to networks. The first place that we
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pitched it was to our workplace, and they did like
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the idea. They thought it was something that could work.
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But when we got closer to launch, I think it
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was a week or two out, we were kind of
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told that it wasn't going to be a priority for
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the business moving forward, that they thought the idea was okay,
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but if they did eventually pick the idea up, they
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couldn't guarantee that miss and I were going to be
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hosts of it.
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And I think Michelle and I we knew.
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That this was an idea that was good, to be honest,
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and we knew it was good because it was something
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that we wanted to listen to ourselves and couldn't find anywhere.
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And we said to ourselves, if we don't launch this
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thing now ourselves, somebody else will just fill the gap.
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Like it's such an obvious gap for us that we're
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not going to be the only ones that think of
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this because it's so obvious, so we have to just
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do it ourselves.
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And for anybody not familiar with the podcast, when you
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say you talk about things like The Bachelor, you talk
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about things like the Bachelor and entertainment, you know, gossip,
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celebrity gossip, but through the lens of very I would
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say a feminist perspective from a very progressive, intelligent, critical
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way of thinking. Right, you actually bring intelligent conversation. Ah,
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this is why I love it so much. I wish
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more people would listen.
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Thank you.
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Not that you need a lot more listeners, you have
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clearly millions.
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But I remember when I first came across your show
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when I was about twenty, I guess, and I had
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this boyfriend and his father a bit of an arrogant prick,
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to be honest, and he used to but he loved
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me because I was at university and I was studying,
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and he used to ask me my opinion about all
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of these things.
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And then I remember one day telling him, he said,
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what do you do? I don't even remember how it came.
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Up, but he stumbled upon the fact that I was
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obsessed with The Bold.
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And the Beautiful, and I used to watch The Bold
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and the Beautiful at four o'clock every after minute. I
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was working three part time jobs at the time, I
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was studying, but I would make sure I was at
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home at four o'clock to watch Bold and the Beautiful Beautiful,
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and he looked at me with contempt.
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You know. It was this I thought you were a
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smart girl, and that was the disdain. And I remember saying,
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these things aren't mutually exclusive. I can be intelligent and
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all of those things and still kind of like at
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the time, it was Bold and the Beautiful. Obviously, now
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we have this whole reality TV and all of these
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other things going on. But that's what I love about
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your show. I think a lot of people are made
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to feel kind of stupid for being interested in things
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like that, but like you say, you can watch them
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through this critical lens and bring an intelligent conversation to
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the table.
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Yeah, well, that's the thing. I think. One example that
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stands out to me that really epitomizes why we created
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Shameless is actually that of professional wrestling. Like, we know
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that millions of people predominantly men around the world sit
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in front of their television screens or pay hefty prices
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for tickets to go to a scripted, drama filled wrestling match.
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No one blinks, no one bats an eye at the
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fact that pro wrestling is a totally legitimate hobby for
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men to have, even though we know it's fake, we
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know it's scripted, we know it's kind of ridiculous when
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you lay it out like that. And yet women being
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interested in potentially scripted reality programs or being interested in
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salacious celebrity gossip, they're discounted as I don't know, ridiculous
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and frivolous and silly. And I just think society seems
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to give green ticks to every hobby that a man
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can have. But if women have hobbies that aren't high
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brow and societally like, I don't know, acceptable and intelligent,
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where kind of discredited as just being ridiculous and little girls.
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So for Zara and I where two people who also
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love our sport, myself probably a little bit more than
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Zara on some days. But there is such a disconnect
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there that people are happy to watch sport and happy
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to spend hours pouring over analysis and commentary on sport,
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but commentary on any other facet of entertainment isn't okay suddenly.
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So yeah, it was important for us to have intelligent
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conversations about pop culture because, to be honest, the conversations
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we have on the podcast are very indicative of the
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kind of conversations we have in our group chats with
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our best friends and our sisters.
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So, going back to the Muma Mia, they basically pulled
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it at the last minute, and then you had a
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decision to make about what to do going forward. So
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ultimately you decided to go ahead with the podcast on
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your own.
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And then how soon after that.
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Did you actually resign from your jobs to pursue the podcast.
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Can you just talk a little bit about that.
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Yeah, for sure.
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So the conversation we had with each other once the
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podcast was rejected was a pretty simple one, Like I
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said to you, we have to create this thing, and
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we have to do it pretty soon. So after that,
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we probably launched the podcast about five weeks later.
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It was pretty rough.
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At the time in terms of how it was structured
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and how we were as hosts. But I mean, it's
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kind of nice having that backlog there for people to
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listen to. It's kind of proof that it's the best
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thing you can do is get started right.
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And I think that.
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Once we'd started the podcast, we both had conversations with
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each other kind we only within a couple of weeks
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saying this probably isn't a long term thing, being able
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to work at Mama Mea and produce a podcast that
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is directly targeting the same women they do, like we've
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accidentally created a competitor, not through our own fault, but
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they and they were completely on board with us making
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the podcast ourselves outside of work hours, like they had
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given us written approval to do that.
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So I started applying for jobs and started.